{"id":107,"date":"2022-05-02T09:44:48","date_gmt":"2022-05-02T09:44:48","guid":{"rendered":"https:\/\/blend.imm.medicina.ulisboa.pt\/?page_id=107"},"modified":"2023-03-08T14:36:25","modified_gmt":"2023-03-08T14:36:25","slug":"art-science-talks","status":"publish","type":"page","link":"https:\/\/blend.imm.medicina.ulisboa.pt\/seminar-series\/art-science-talks\/","title":{"rendered":"Art & Science talks"},"content":{"rendered":"\n

Art & Science talks<\/strong><\/p>\n\n\n\n

09\/03\/2023<\/strong><\/p>\n\n\n\n

Catarina Pombo Nabais<\/strong><\/p>\n\n\n\n

Title:<\/strong> The Practice of Tattoing and the Paradigmatic Place of Medicine in Science & Art Studies<\/p>\n\n\n\n

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ABOUT<\/strong><\/p>\n\n\n\n

PT\/\/<\/strong><\/p>\n\n\n\n

A minha palestra questionar\u00e1 a rela\u00e7\u00e3o entre tatuagens e medicina, tanto no passado como no presente. De uma perspectiva hist\u00f3rica, pretendo mostrar como a forma m\u00e9dica de observar, catalogar, arquivar e compreender a tatuagem nas \u00faltimas d\u00e9cadas do s\u00e9culo XIX e in\u00edcio do s\u00e9culo XX na Europa, foi alinhada com uma cultura conservadora e repressiva. Isto contribuiu para a marginaliza\u00e7\u00e3o dos indiv\u00edduos tatuados. Mas, mais importante ainda, isto levou \u00e0 profunda liga\u00e7\u00e3o da medicina com a disciplina emergente da Criminologia. Agora, da perspectiva atual e mesmo futurista, meu objetivo \u00e9 compreender como a inven\u00e7\u00e3o das tatuagens biotecnol\u00f3gicas, mesmo que possa manter a sua dimens\u00e3o de vigil\u00e2ncia, ainda reverteu a rela\u00e7\u00e3o da medicina com as tatuagens, uma vez que as tatuagens tecnol\u00f3gicas podem constituir um passo muito importante para a medicina personalizada. Al\u00e9m disso, salientarei como, ao longo de toda esta hist\u00f3ria da medicina, a arte tem sido aliada a medicina, tanto na fundamenta\u00e7\u00e3o das cole\u00e7\u00f5es m\u00e9dicas dos cat\u00e1logos de tatuagens como na explora\u00e7\u00e3o das possibilidades art\u00edsticas da biotecnologia na concep\u00e7\u00e3o do corpo.<\/p>\n\n\n\n

Assim, a minha hip\u00f3tese de trabalho \u00e9 que a tatuagem (seja ela cl\u00e1ssica, seja ela tecnol\u00f3gica) pode ser tomada como um estudo de caso pertinente para a compreens\u00e3o da medicina de uma forma filos\u00f3fica, epistemol\u00f3gica, hist\u00f3rica, sociol\u00f3gica, cultural, tanto no passado, como no presente e, talvez, no futuro.<\/p>\n\n\n\n

EN\/\/<\/strong><\/p>\n\n\n\n

My talk will question the relation between tattoos and medicine both in the past and in the present times. From a historical perspective, I aim to show how the medical way of observing, cataloging, archiving, and understanding tattooing in the last decades of the XIX and the beginning of the XX century in Europe, was aligned with a conservative, repressive culture. This contributed to the marginalization of tattooed individuals. But, most importantly, this led to the deep connection of medicine with the emerging discipline of Criminology. Now, from the present and even futuristic perspective, my aim is to understand how the invention of biotechnological tattoos, even if it may keep its surveillance dimension, has yet reversed the relation of medicine with tattoos, as tech-tattoos may constitute a very important step towards personalized medicine. Further, I will stress how, all along this history of medicine, art has been an allied of medicine both in the substantiation of the medical collections of tattoo\u2019s catalogs and in the exploration of the artistic possibilities of biotechnology in the design of the body.<\/p>\n\n\n\n

Thus, my working hypothesis is that the tattoo (be it classical, be it technological) may be taken as a pertinent case study for the understanding of medicine in a philosophical, epistemological, historical, sociological, cultural way, either in the past, as in the present and, maybe, in the future.<\/p>\n\n\n\n

BIO<\/strong><\/p>\n\n\n\n

PT\/\/<\/strong><\/p>\n\n\n\n

Catarina Pombo Nabais \u00e9 Licenciada em Filosofia – Variante em Filosofia da Ci\u00eancia – pela Faculdade de Letras da Universidade de Lisboa (1998), obteve o seu Dipl\u00f4me d’\u00c9tudes Approfondies em Filosofia na Universidade de Amiens, Fran\u00e7a, (1999) e concluiu o seu doutoramento em Filosofia pela Universidade de Paris VIII, sob a supervis\u00e3o do fil\u00f3sofo Jacques Ranci\u00e8re (2007) com a mais alta distin\u00e7\u00e3o para uma disserta\u00e7\u00e3o de doutoramento em Fran\u00e7a. Em 2013, publicou o seu primeiro livro intitulado Gilles Deleuze: Philosophie et Litt\u00e9rature, do editor franc\u00eas L’Harmattan, Paris, com um Pref\u00e1cio de Jacques Ranci\u00e8re. Ronald Bogue, uma figura importante dos estudos deleuzianos nos EUA, decidiu traduzir e prefaciar o livro para ingl\u00eas e o seu livro foi publicado nos EUA pela editora Roman & Littlefield (2020). Mais recentemente, publicou um livro em conjunto com o fil\u00f3sofo e cr\u00edtico de arte Boris Groys Towards Self-Design. Conversas Filos\u00f3ficas (Coimbra: Imprensa da Universidade de Coimbra, 2022) e editou o livro Processos Criativos na Ci\u00eancia e nas Artes. A quest\u00e3o da participa\u00e7\u00e3o do p\u00fablico (Lisboa: Afrontamento, 2019).<\/p>\n\n\n\n

Desde 2019, \u00e9 Investigadora Cient\u00edfica no Departamento de Hist\u00f3ria e Filosofia das Ci\u00eancias da Universidade de Lisboa. De 2007-2019, foi Bolseira de P\u00f3s-Doutoramento com uma bolsa atribu\u00edda pela Funda\u00e7\u00e3o Portuguesa para a Ci\u00eancia e Tecnologia (FCT) no Centro de Filosofia da Ci\u00eancia da Universidade de Lisboa (CFCUL), do qual \u00e9 membro integrado desde 2006. Na CFCUL, de 2007 a 2014 foi a chefe do grupo de investiga\u00e7\u00e3o Ci\u00eancia e Arte. Em 2014, criou a linha tem\u00e1tica Science-Art-Philosophy Laboratory (SAP Lab), que dirige (Head) desde ent\u00e3o. Atualmente, \u00e9 tamb\u00e9m Vice-Diretora do grupo de investiga\u00e7\u00e3o Filosofia da Tecnologia, Ci\u00eancias Humanas, Arte e Sociedade. Catarina Pombo Nabais pertence ao corpo docente do Programa Internacional de Doutoramento “Filosofia da Ci\u00eancia, Tecnologia, Arte e Sociedade”, principalmente no que diz respeito \u00e0 \u00e1rea da “Ci\u00eancia e Arte”. Ela supervisiona v\u00e1rias teses de doutoramento, tem publicado muitos textos no estrangeiro e \u00e9 frequentemente convidada a dar palestras em universidades de todo o mundo.<\/p>\n\n\n\n

Como curadora de Arte, organizou, entre outros, a exposi\u00e7\u00e3o “O mais profundo \u00e9 a pele”. Cole\u00e7\u00e3o de tatuagens IML de 1910-1940″, no MUDE – Museu de Moda e Design, Lisboa, em 2017, que foi considerada pelo “Timeout” como uma das melhores do ano 2017. Catarina Pombo Nabais \u00e9 curadora convidada para a \u00e1rea de “Ci\u00eancia, Arte e Filosofia” do Festival Internacional de Ci\u00eancia “FIC.A”, organizado pela C\u00e2mara Municipal de Oeiras. \u00c9 tamb\u00e9m fundadora e curadora da Galeria de Arte “Oficina Imposs\u00edvel” em Lisboa e curadora convidada do “Coletivo \u00e0 Linha”, um grupo de artistas de Cascais.<\/p>\n\n\n\n

EN\/\/<\/strong><\/p>\n\n\n\n

Catarina Pombo Nabais is Graduated in Philosophy – Variant in Philosophy of Science – by the Faculty of Letters of Lisbon University (1998), she obtained her Diplo\u0302me d’E\u0301tudes Approfondies in Philosophy at the University of Amiens, France, (1999) and concluded her PhD in Philosophy by the University of Paris VIII, under the supervision of the philosopher Jacques Rancie\u0300re (2007) with the highest distinction for a PhD dissertation in France. In 2013, she published her first book titled Gilles Deleuze: Philosophie et Litte\u0301rature, by the French editor L’Harmattan, Paris, with a Preface from Jacques Ranci\u00e8re. Ronald Bogue, a major figure in Deleuzian studies in the USA, decided to translate and to preface the book into English and her book was published in the USA by the publisher Roman & Littlefield (2020). More recently, she published a book together with the philosopher and art critic Boris Groys Towards Self-Design. Philosophical Conversations (Coimbra: Coimbra University Press, 2022) and edited the book Creative Processes in Science and Arts. The issue of public participation (Lisbon: Afrontamento, 2019).<\/p>\n\n\n\n

Since 2019, she is Scientific Researcher at the Department of History and Philosophy of Sciences of the University of Lisbon. From 2007-2019, she was a Postdoctoral fellow with a grant awarded by the Portuguese Foundation for Science and Technology (FCT) at the Center for Philosophy of Science of the University of Lisbon (CFCUL) of which she has been an integrated member since 2006. At the CFCUL, from 2007 to 2014 she was the Head of the research group Science and Art. In 2014, she created the thematic line Science-Art-Philosophy Laboratory (SAP Lab) which he has been directing (Head) since then. Also, she is currently Vice-head of the research group Philosophy of Technology, Human Sciences, Art and Society. Catarina Pombo Nabais belongs to the faculty of the International Doctoral Program \u201cPhilosophy of Science, Technology, Art and Society\u201d, mainly in what concerns the area of \u201cScience and Art\u201d. She supervises several doctoral theses, has published many texts abroad and is frequently invited to give lectures at universities around the world.<\/p>\n\n\n\n

As Art Curator, she has organized, among others, the exhibition \u201cThe most profound is the skin. Collection of IML tattoos from 1910-1940\u201d, at the MUDE – Museum of Fashion and Design, Lisbon, in 2017 which was considered by \u201cTimeout\u201d as one of the best of the year 2017. Catarina Pombo Nabais is Guest Curator for the area of “Science, Art and Philosophy” of the International Science Festival \u201cFIC.A\u201d, organized by the Municipality of Oeiras. She is also the founder and curator of the \u201cOficina Imposs\u00edvel\u201d Art Gallery in Lisbon and guest curator of \u201cColetivo \u00e0 Linha\u201d, a group of artists from Cascais.<\/p>\n\n\n\n

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18\/01\/2023<\/strong><\/p>\n\n\n\n

S\u00e9rgio Eliseu e Br\u00edgida Riso<\/strong><\/p>\n\n\n\n

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ABOUT<\/strong><\/p>\n\n\n\n

PT\/\/ Sobre projeto iSTARS<\/strong><\/p>\n\n\n\n

O projeto ERA Chair iSTARS \u00e9 um projeto da Faculdade de Medicina da Universidade de Lisboa, com a dura\u00e7\u00e3o de seis anos, financiado pela Uni\u00e3o Europeia (Projeto 952377), que tem como principal objetivo a promo\u00e7\u00e3o da ci\u00eancia de dados como uma ferramenta de investiga\u00e7\u00e3o em sa\u00fade e medicina, atrav\u00e9s da cria\u00e7\u00e3o e consolida\u00e7\u00e3o de uma unidade de ci\u00eancia dados de excel\u00eancia reconhecida internacionalmente, liderada pelo\/a investigador\/a ERA Chair.<\/p>\n\n\n\n