{"id":318,"date":"2023-05-17T12:15:00","date_gmt":"2023-05-17T12:15:00","guid":{"rendered":"https:\/\/blend.imm.medicina.ulisboa.pt\/?page_id=318"},"modified":"2023-05-17T12:15:33","modified_gmt":"2023-05-17T12:15:33","slug":"no-no-sol-monica-garcia","status":"publish","type":"page","link":"https:\/\/blend.imm.medicina.ulisboa.pt\/no-no-sol-monica-garcia\/","title":{"rendered":"N\u00f3 no Sol | M\u00f3nica Garcia"},"content":{"rendered":"\n

N\u00f3 no Sol<\/strong><\/p>\n\n\n\n

M\u00f3nica Garcia<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

PT\/\/<\/strong> <\/p>\n\n\n\n

“Os homens ouviam as respira\u00e7\u00f5es musicais dos pinheiros milhares de anos antes da ci\u00eancia remover a poesia \u00e0 natureza (\u2026) Na tradi\u00e7\u00e3o Germ\u00e2nica, cada sulco ou n\u00f3 no tronco do pinheiro era um ponto do qual um esp\u00edrito da madeira se escapava para o mundo exterior.” Skinner, Charles M.<\/p>\n\n\n\n

N\u00f3 no Sol vai ao encontro do desenho preexistente na madeira do pinheiro procurando-lhe os n\u00f3s como ponto de partida e chegada para provocar o fen\u00f3meno de um pensamento m\u00e1gico que procura o movimento de crescimento a partir dos mesmos. Perscrutados manualmente com a goiva, no desenho na matriz de madeira, podemos encontr\u00e1-los expandidos no espa\u00e7o como o produto da pr\u00f3pria respira\u00e7\u00e3o e digest\u00e3o do fogo que formou a primeira c\u00f3pia da matriz. O fogo seria o primeiro a ver, seguindo-se o olho como respons\u00e1vel a queimar o espa\u00e7o, formador da segunda c\u00f3pia, crescida esta sobre fundo negro. Segundo uma lenda germ\u00e2nica, os esp\u00edritos da madeira do pinheiro escapavam pelos seus n\u00f3s, sendo aqui o corpo espectral da luz o seu fantasma capaz de dilatar o tempo, capaz de servir tamb\u00e9m como ponte de sustento ao fogo, ativar-lhe o seu corpo ausente assim como acontece com as estrelas desaparecidas que ainda continuamos a ver. Os pinheiros crescem agora sobre fogo ausente atrav\u00e9s da m\u00e3o que queima em cima de um jogo de tijolos, retirado de um po\u00e7o, e procuram esperar pela voz da pr\u00f3pria mat\u00e9ria.<\/p>\n\n\n\n

EN\/\/<\/strong> <\/p>\n\n\n\n

\u201cMen heard the musical breaths of pine trees thousands of years before science removed poetry from nature (\u2026); In the German Tradition, each groove or knot in the pine tree trunk was a point from which a wood\u2019 spirit escaped to the outside world.\u201d Skinner, Charles M.<\/p>\n\n\n\n

N\u00f3 no Sol (Node in the Sun) meets the pre-existing design in the pine wood by looking for the knots as a starting and ending point to provoke the phenomenon of a magical belief that seeks the movement of growth from them. Persecuted manually with the gouge, in the drawing of the wood pattern, we can find the knots expanded in space as the product of the very breath and digestion of fire that formed the first copy of the matrix. The fire would be the first to see, followed by the eye as responsible for burning the space, forming the second copy, grown on a black background. According to a Germanic legend, the spirits of the pine wood escaped through their knots, through their spectral body of light. Their ghosts would be capable of dilating time, and also to serve as a bridge to sustain the fire, activating its absent body as it happens with the light of missing stars that we still see. Pines now grow on absent fire through the hand burning on top of a game of bricks, taken from a well, and seek to wait for the voice of matter itself.<\/p>\n\n\n\n

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BIO<\/strong><\/p>\n\n\n\n

PT\/\/<\/strong><\/p>\n\n\n\n

M\u00f3nica Garcia (Set\u00fabal, 1989) \u00e9 licenciada em Artes Pl\u00e1sticas na Escola Superior de Artes e Design das Caldas da Rainha, onde atualmente frequenta o Mestrado. O seu trabalho caracteriza-se por um cunho experimental entre desenho, instala\u00e7\u00e3o site-specific e performance, cultivando um pensamento sobre a hist\u00f3ria do lugar de cariz fenomenol\u00f3gico e pr\u00e9-cient\u00edfico. Exp\u00f5e com frequ\u00eancia desde 2011, tendo recebido v\u00e1rias distin\u00e7\u00f5es, destacando-se entre outros o pr\u00e9mio de desenho \u201cPedro de Sousa\u201d em 2016.<\/p>\n\n\n\n

EN\/\/<\/strong><\/p>\n\n\n\n

M\u00f3nica Garcia (Set\u00fabal,1989) has a degree in Fine Arts from Superior School of Arts and Design of Caldas da Rainha, where she currently is pursuing a Master\u2019s degree. Her work is characterized by an experimental character between drawing, site-specific installation and performance, cultivating a phenomenological and pre-scientific thought about the history of the place. She exhibits frequently since 2011 and she has received several distinctions, among which the \u201cPedro de Sousa\u201d drawing award, in 2016, stands out.<\/p>\n","protected":false},"excerpt":{"rendered":"

N\u00f3 no Sol M\u00f3nica Garcia PT\/\/ “Os homens ouviam as respira\u00e7\u00f5es musicais dos pinheiros milhares de anos antes da ci\u00eancia remover a poesia \u00e0 natureza (\u2026) Na tradi\u00e7\u00e3o Germ\u00e2nica, cada sulco ou n\u00f3 no tronco do pinheiro era um ponto do qual um esp\u00edrito da madeira se escapava para o mundo exterior.” Skinner, Charles M. … Continued<\/a><\/p>\n","protected":false},"author":13,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"views\/template-900.blade.php","meta":[],"yoast_head":"\nN\u00f3 no Sol | M\u00f3nica Garcia - Blend<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blend.imm.medicina.ulisboa.pt\/no-no-sol-monica-garcia\/\" \/>\n<meta property=\"og:locale\" content=\"pt_PT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"N\u00f3 no Sol | M\u00f3nica Garcia - 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